24 July 2026
Open letter in support of the History Museum of Bosnia and Herzegovina and its call for the immediate and sustainable protection of its building

The construction of the long-awaited Ars Aevi Museum of Contemporary Art is an important milestone for Sarajevo. We warmly welcome this project, coordinated by UNESCO and supported by the European Union, the governments of Italy, France and Spain, and the Canton of Sarajevo. Bringing together an exceptional collection—born from the solidarity of artists worldwide with besieged Sarajevo—and based on the vision and original architectural design of Renzo Piano, who supported the project from the beginning, Ars Aevi will become an important addition to Sarajevo's museum district in Marijin Dvor. 

However, the realization of one museum must not come at the expense of another. Standing immediately next to the future Ars Aevi building, the History Museum of Bosnia and Herzegovina is an irreplaceable institution whose internationally acclaimed modernist building, designed by Boris Magaš, Radovan Horvat and Edo Šmidihen and built in the 1960s, has been a National Monument of Bosnia and Herzegovina since 2012.

The building suffered severe damage during the siege of Sarajevo and, because of the unresolved legal status of the Museum and the absence of structural funding for more than three decades, it remains in poor condition. In the most visible way, this is illustrated by the damaged facade of the building's emblematic centrepiece, the cubus.

Nevertheless, different restoration efforts have been undertaken in the last 15 years by the museum team which succeeded in securing funding for important repairs—including the roof and administrative section. Together with partners, it also prepared a comprehensive conservation and restoration project for the building, with the total costs estimated at at least 9.5 million KM (approximately €4.9 million) in 2022. In 2024, the Canton of Sarajevo allocated the amount of 1,8 million KM (approximately €920,000) for restoration of the parts hosting  the main museum collections. However this funding has not been implemented yet and will in any case not cover the totality of the needed restoration. 

Besides raising funding for restoration of the building, the museum team is doing remarkable work to fill the History Museum of  Bosnia and Herzegovina with life and has succeeded to make it an innovative, inclusive and constructive cultural space which has earned well-deserved respect by local and international partners.  

In this context, we deeply regret that the local and international stakeholders supporting Ars Aevi have not at the same time committed themselves to ensuring adequate funding for the restoration of the History Museum of Bosnia and Herzegovina which would guarantee the simultaneous development of both buildings.  

We regret even more that construction of the Ars Aevi Museum, in the immediate vicinity of the History Museum, began without any communicated risk assessment regarding its possible impact on the neighbouring protected monument and without visible preventive measures to safeguard the building of the History Museum, its staff and its visitors.

We therefore fully support the request submitted by the History Museum of Bosnia and Herzegovina to the competent authorities on 15 July 2026, underlining the urgency of the situation and the need for immediate and effective protective measures. (See: muzej.ba/en/request-for-the-adoption-of-urgent-mea... )

These concerns proved well-founded when, only one week after construction began, two façade panels detached from the already damaged cubus of the History Museum and fell in the atrium which is hosting one of the Museum's permanent exhibitions. (See: muzej.ba/en/what-we-warned-about-has-happened/...)

We call upon the institutions responsible for the protection of national monuments to ensure the immediate protection of the History Museum. We also call upon UNESCO, the Delegation of the European Union, the Embassies of Italy, France and Spain, the Canton of Sarajevo, the Municipality of Novo Sarajevo and the Federation of Bosnia and Herzegovina to work together to guarantee safe conditions for the Museum's continued operation throughout the construction period, including continuous monitoring of possible impacts on the building.

Beyond these urgent measures, we ask all relevant local and international stakeholders to secure the funding necessary to implement the Museum's comprehensive restoration project in parallel with the construction of Ars Aevi.

The History Museum of Bosnia and Herzegovina and the future Ars Aevi Museum, both with unique collections in their respective fields, should be regarded as complementary institutions, enriching the same museum district. Building one while neglecting the other would jeopardize not only an internationally recognised architectural landmark and museum, but also the reputation of the Ars Aevi project and of the institutions supporting it. 

24 July 2026

Initial signatories:

Dr. Gruia Badescu, Research Fellow, University of Konstanz, Konstanz

Julie Biro, documentary filmmaker, Paris

Dr. Xavier Bougarel, historian, CNRS, Paris 

Dr. Aline Cateux, anthropologist, University of Ottawa, Sarajevo 

Collective of Gallery Manifesto, Sarajevo

CRVENA Association for Culture and Art, Sarajevo

Adisa Džino Šuta, architect, Executive Director of Cultural Heritage without Borders Bosnia and Herzegovina, Sarajevo

Dr. Melisa Forić Plasto, Assistant Professor at University of Sarajevo, Sarajevo

Dr. Fabio Giomi, historian, adjunct director of CETOBaC, Paris 

Ephraim Gothe, District Councillor for Urban Development in Berlin-Mitte, Berlin 

Dr. Jordi Guixé, Director of the European Observatory of Memories - EUROM, University of Barcelona 

Lejla Hadžić, heritage conservation expert, Sarajevo

Prof. Dr. Ćazim Hadžimejlić, Academy of Fine Arts Sarajevo, Executive Director of Meyli Foundation, Sarajevo 

Dr. Amra Hadžimuhamedović, President of HIDR-Centre for Peace and Heritage, Sarajevo

Dr. Elissa Helms, Associate Professor, Central European University, Vienna 

Vesna Hercegovac Pašić, architect and former professor at the Faculty of  Architecture of the University of Sarajevo, Sarajevo 

Dr. Sanja Horvatinčić, Research Associate at the Institute of Art History in Zagreb, Zagreb 

Dr. Hrvoje Klasić, Associate Professor at the History Department at the University of Zagreb, Zagreb

Oriol Lopez Badell, Coordinator of the European Observatory of Memories - EUROM, University of Barcelona 

Dr. Nicolas Moll, historian, Independent Researcher, Sarajevo

Prof. Dr. Tanja Petrović, Head of the Institute of Cultural and Memory Studies, Research Centre of the Slovenian Academy of Sciences and Arts (ZRC SAZU), Ljubljana 

Zina Ruždić Vrabac, senior architect and urban planning expert, Sarajevo

Dr. Kaja Širok, historian and museum expert, ICOM, Nova Gorica

Aida Vežić, Balkan Museum Network, Sarajevo 

Sanja Vrzić, senior architect and designer, Sarajevo 

Dr. Mejrema Zatrić, Docomomo BiH / International University of Sarajevo, Sarajevo 

Additional signatories:

If you would like to add your name to this open letter, please sign here.

123
signatures
102 verified
  1. Simon Glinn, Independent Arts Consultant, Liverpool, UK
  2. Sarhat Petrosyan, Architect-Urban Planner, SP2 / urbanlab / YSU, Yerevan
  3. Patporn Phoothong, Researcher, -, Samsen Nai, Phayathai, Bangkok
  4. Mia Babić, Sarajevo
  5. elena mamani, Conservation architect, Cultural Heritage without Borders Albania, Gjirokastra
  6. Aline Palige, Berlin
  7. Lucija Balikic, Senior Research Fellow, Faculty of Social Sciences, Eötvös Loránd University of Budapest, Budapest
  8. Edina Softic, Travel and Tourism expert, Detour Corporate Travel, MICE and Events, Sarajevo
  9. Gerd Scheuerpflug, Coordinator, Memos e. V., Berlin
  10. Ivana Roso, Art historian/Conservator, WCM, Sarajevo
  11. Neja Blaj Hribar, Research Assistant, Inšitut za novejšo zgodovino, Ljubljana
  12. Dr. Kim Sadique, Associate Professor, De Montfort University, Leicester
  13. Peter Locke, Professor of Global Health Studies, Northwestern University, Chicago, USA
  14. Cesar Bargues Ballester, Associate Project Specialist, Getty Conservation Institute, Los Angeles
  15. dr. sc. Marijana Hamersak, research advisor, Institute of Ethnology and Folklore Research, Zagreb, Zagreb
  16. Jane Drapkin, Senior Lecturer, De Montfort University, Leicester
  17. Dr Stephen Schrapel, Architect, ICOMOS ISC20C, Adelaide
  18. Amira, Sarajevo
  19. Amila Kasumović, Professor, University of Sarajevo, Sarajevo
  20. Ruben Arevshatyan, Art critic, cuartor, AICA Armenia / ICA Yerevan / DOCOMOMO Armenia, Yerevan
...
62 more
verified signatures
  1. Dr. Oana-Alexandra Chirila, Museum curator, County Museum of History and Archaeology Maramureș, Baia Mare, Romania
  2. Vaidas Petrulis, Assoc. Prof, Kaunas university of technology, Kaunas
  3. Pierre Coquelet, Retraite, Éducation spécialisée, Fécamp
  4. Margherita Pedroni, Project Specialist, Getty, Los angeles
  5. Francesc G., Teacher, Trenkalòs, Tarragona
  6. Vladimir Arsenic, Editor, Partizanska knjiga, Zrenjanin
  7. Caterina Clos, Teacher, Barcelona
  8. Bojana Mrkic, Sarajevo
  9. Selma Ćatović Hughes, doctoral researcher, architect and visual artist, University of Turku, Finland, Sarajevo
  10. Dirk Auer, journalist, balkanbiro e.V., Berlin
  11. Merlin Sophie Engel, Historian, Freie Universität Berlin, Berlin
  12. Haris Dervisevic, Associate Professor of Islamic Art, ICOM and ICOMOS, University of Sarajevo, Sarajevo
  13. Dr. Marco Abram, Research Fellow, ZRS Koper, Koper
  14. Anna Goos, Country Director, Caritas Switzerland in BiH, Sarajevo
  15. Seila Muhic, Research Project Manager, Brescia, Italy
  16. Anna Armengol I Martinez, Knowledge Manager, Doctors Without Borders, Barcelona
  17. Hernan Tesler-Mabé, Associate Professor, Jewish Studies, Huron University, London, Ontario, Canada
  18. Barbara Blaisdell, Professional Portrayals, Rochester, NY, USA
  19. mario boccia, Fotografo e giornalista, Roma
  20. Jennifer Erickson, Professor of Anthropology, Ball State University, Muncie, IN