18 July 2022
The Pledge for Culturally Competent & Inclusive Audio Description

I, [Your Name Here],

As an audio description consumer, professional, or benefactor, pledge TO support & advocate for culturally competent and inclusive audio description.

I believe that equitable access to information is a right that should be available to everyone. Visual content including online video, streaming, broadcast , in theater, on stage should be accessible to people who are Blind or have Low Vision.

While I recognize there are a variety of constraints that restrict what information is made available during the moments of the content without dialogue, I believe significant effort should be made to make this information available, for example, pre-show time to provide a variety of details for the consumers. This includes identity such as race, ethnicity, skin color, disability, gender and more.

The audio description narration should be considered an extension of the film. Content with a specific cultural reference should be voiced by someone best being that culture.

It should be clear that this call for equitable access does not mean only describing BIPOC characters. Choosing to only describe people of color is a perpetuation of white supremacy that assumes white is "normal" or the default. Inclusive means describing all of the film's pertinent characters.

Audio description providers should take time to develop relationships with professional narrators to assure they can meet the demand. As most AD work is done by freelance voice over talent, often a suitable candidate is just a referral away.

As an AD professional, I commit to :

• Recognizing when my lived experience may not be suitable for a project.

• Seeking out those with lived experiences to either perform the work or consult with.

• Recognizing that if given an assignment where I am not representative of the culture, as an ally, it is my responsibility to step down from the role and suggest a more suitable person is given the opportunity.

This call for equitable representation in no way should limit BIPOC voice talent to work specific to their cultural background. BIPOC voice talents are just as suitable for Content that is not culturally specific.

I support the inclusion of Blind professionals in all aspects of audio description. This includes but is not limited to writers, narrators, quality control, project managers, audio engineers including editing and mixing. In each, I recognize that fair accommodations may be needed in order to complete the work. There are multiple processes of creating audio description, only utilizing those that require vision amounts to discrimination.

In addition, all software used in the process of creating AD, i.e. writing, recording, editing and mixing, must be accessible to those using screen reader and magnification and other access technology.

I acknowledge that supporting this pledge doesn't reflect my personal preference for audio description. It is however an acknowledgement that I support the right of those who are Blind or have low vision to access information that is readily available to others. What that individual does with that information, similar to those who can easily access it, is their personal preference.

131
signatures
96 verified
  1. Thomas Reid, Host & Producer, Reid My Mind Radio, Stroudsburg
  2. Cheryl Green, Audio describer, Social Audio Description Collective, Portland
  3. Robert Kingett, Audio Description writer, Social Audio Description, Los Vegas
  4. Oliver Baker, Audio describer, SADC, Portland
  5. Kensuke Nakamura, AD writer, Social Audio Description, Nashville
  6. Dwight Brady, Audio describer/narrator, Social Audio Description, Hove, UK
  7. Matt Lauterbach, AD Writer/Producer, All Senses Go, Chicago
  8. Ezequiel Rodriguez Andino, Independent radio and podcast producer, Sabana Seca, Puerto Rico
  9. Áine Kelly-Costello, Audio description consumer, Bodø, Norway
  10. Annmarie Garzon, N/A, Bangor
  11. Roz Chalmers, Audio describer, Freelance, London
  12. Tamer Zaid, Support Specialist, NA, Friendswood
  13. Lucy Jiang, PhD Student, VerbalEyes, New York City
  14. Scott Blanks
  15. Amy Stannard, Don’t have one, Leeds
  16. Ellen Bartlett, Syracuse, NY
  17. Jen Calleja, translator and wannabe AD, Self-employed, Hastings
  18. Vicky Ackroyd, Access Champion & Audio Describer, Freelance, Leeds
  19. Elaine Joseph, Audio describer, London
  20. Stefanie Bell, Freelance Audio Describer, Cardiff
  21. Eddie Maisonet, Storyteller, NYC
  22. Lisa Niedermeyer, Producer
  23. Ricky Enger, Technology content creator, Hadley Institute, Charlotte
  24. Yue-Ting Siu, Educator, San Francisco State University, San Francisco
  25. Connor Scott-Gardner, PhD Student, Leeds
  26. Roy Samuelson, Voice Talent and advocate, The ADNA, Los Angeles
  27. Tamarrah Morgan, Undergrad Student, Ann Arbor
  28. Lawrence Carter-Long, Explorer, Not An Expert, DisArt, Oakland
  29. Kevin Mark, co-organizer, NYC icarus project, Brooklyn
  30. Mary S Hanks, audio describer, Houston
  31. Maria Hendricks, Artistic Advisor/Language Interpreter/Actor, New Repertory Theatre, Boston
  32. Colleen Connor, AD Teacher and Advocate, Audio Description Training Retreats, Los Angeles
  33. Wendy Sapp, AD Project Director, Bridge Multimedia, New York
  34. Christine Lowe, Voice Actor and Audio Describer, Christine Lowe Voiceovers, LLC, Ellicott City, MD
  35. Liz Gutman, AD writer and teacher, New York
  36. Kerry, Writer and consultant, Woodstock
  37. JJ Hunt, Describer, Talk Description to Me podcast, Toronto, Canada
  38. Adrienne Livingston, Voice Actor and Audio Describer, Adrienne's Artistic Expressions, Happy Valley
  39. Jazzy Frizzle, Voice Actor, Voices of Color, Denver
  40. Saundi Harrison-Cooksey, Voice Talent/AD Narrator, MyVoiceWorksManagement LLC, Atlanta
  41. Social Audio Description, Audio Description Collective, Remote
  42. Inger Tudor, VO actor, High Priest Productions, Valley Village
  43. Melissa Moran, Voice Actor, Double M Audio LLC, Tampa
  44. Claudia Dunn, Voice Actor, Dunn Deal VO, Santa Barbara
  45. Davyd Biehn, Quality Systems Specialist, Tasso Inc., Seattle
  46. Stephanie Van, Physician, Johns Hopkins School of Medicine, Silver Spring, MD
  47. Debi Tinsley, Voice Actor, DTVO, Cleveland, OH
  48. C.J. Hardee, Audio Description Writer, Freelance, Grandview
  49. Diana Payne, AD Writer, Austin, TX
  50. Cynthia M Shaler, retired, Boalsburg
  51. Judy Ardray, Voiceover Actor, Judy Ardray Voiceovers, BAKERSFIELD
  52. Melissa Hope, AD Client Services, Vancouver
  53. Leslie Knowlton, Voice Over Artist, leslieknowtonvo, Philadelphia
  54. Jeff Heck, Lead Staff Writer, Descriptive Video Works, Indianapolis
  55. Darla Biccum, Lead Staff Writer, Descriptive Video Works, Ste. Anne, MB
  56. Laura Davies, Creative Services Manager, Descriptive Video Works, Vancouver, BC
  57. Chana Smith-Balloffet, International Operations Manager, Desriptive Video Works, Saint Genis Laval, France
  58. Rhys Lloyd, Studio Head, Descriptive Video Works, Victoria
  59. Deb DeVries, Voice Actor, Deb DeVries VO, Walnut Creek, CA 94597
  60. Lisa S Ware, Narrator/VO, Asheville, NC
  61. sarah Brunning, Described Video Writer, Montreal
  62. Sabrina Mapp, AD Narrator/Voice Actir, Washington, DC
  63. Lindsey Adams, Communications/ Marketing, VocalEye, Vancouver
  64. Shannon Finnegan, Artist, New York
  65. Elisha Neal, Project Manager, Unilever, Bristol, England
  66. Tim David, Media professional, JFD Communications, Orlando
  67. Rei Ga-Wun Leung, Deaf Artist, Zine-poet, Consultant, Advocate, Vancouver
  68. Katie Murphy, Audio Describer, Daly City
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